MUSIC
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Eivind Buene
Project: Critical Repetition | |
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Tormod Dalen
Project: "Zum Spielen und zum Tantzen" A Kinaesthetic Exploration of the Bach Cello Suites through Studies in Baroque Choreography |
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Trond Engum
Project: Beat the Distance - Music technological strategies for composition and production |
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Ruben Sverre Gjertsen
Project: Between instrument and everyday sound |
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Annabel Guaita
Project: The "Atonal" Piano |
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Sigurd Imsen
Project: The virtuosic Scope of Action |
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Victoria Johnson
Project: Electric Violin in Digital Space |
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Dag Mattis Kleppen
Project: "BASSGRIOTISM". New premises for the electric bassguitar based on hardingfiddlers, griots and bluesmen. |
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Kristian Lindberg
Project: The Transcendental Piano |
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Trond Reinholdtsen
Project: The Norwegian Opra | |
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Sigurd SlĂĄttebrekk
Project: ”The notes must embrace the bars, not the bars the notes” – Robert Schumann |
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HĂĄkon Stene
Project: "This is not a drum" |
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Else Margrethe Olsen Storesund
Project: Open Form – the expanded interpreters role |
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Natalia Strelchenko
Project: Piano Technique in Historical Perspective: Style brillante |
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HĂĄkon Thelin
Project: A New World of Sounds - Recent Advancements in Contemporary Double Bass Techniques |
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Sunniva Rødland Wettre
Project: Let the Harp Sound! |
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Ellen Aagaard
Project: Telling non-existing stories |
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Tone Ă…se
Project: The voice and the machine - and voice in the machine (now you see me now you don't) |
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